Where brand intelligence meets AI-native storytelling.

The idea

An optimistic gingerbread graduate from Candy Land walks into a grey corporation that has one shape for everyone.

Creative direction

Cinematic Tactile Macro: hand-decorated gingerbread, with the camera close enough to read the crumb and the piped icing. Candy Land is warm; the corporation is flat, fluorescent and desaturated, and Ginger is the only colour in it. A world with rules: no metal in Candy Land, steel only in the corporation.

AI production

Made the way an animation studio works, not the way a prompt is typed. A written production canon set the materials and kept a registered cast of characters, locations and props consistent across twenty rounds of production; colour was judged by object-mask measurement, not by eye. Script, production design canon, prompt architecture, generation and edit.

The idea

Gyeolbit is a coined word: 결 (gyeol), the grain of silk, skin or water, and 빛 (bit), light. In a world increasingly shaped by sameness, the film treats beauty not as perfection but as the light that shows along someone's own grain: quieter than radiance, more delicate than aura.

Creative direction

Korean visual heritage × contemporary luxury × movement × light. Three locations carry one continuous light narrative, from a mist-locked pavilion lake at dawn, through a hanok interior in low sun, to a pink muhly field at dusk. A cast of women in sheer jeogori blouses, corset bodices and tulle move between them as if it were all one morning, their faces, hair and styling locked across every shot.

AI production

Concept development, visual direction, prompt architecture, image and video generation, edit and colour grade. Fabric was directed for slow motion, with the water and grass shots mastered at 120 fps.

The idea

Ba borrows its name from the ancient Egyptian word for the part of the soul that can leave the body and return. Three queens wake inside an ink-wash painting and walk out into the present: Cleopatra at the United Nations, refusing once more to be paraded as anyone's trophy; Elizabeth I in Parliament, recalling the day she told an army she had the heart of a king; and Silla's Queen Seondeok, patron of one of the world's oldest surviving observatories, before a room of scientists, taking on the questions nobody funds.

Creative direction

History × the present tense × three faces held across three worlds. Each queen's identity is locked from the painting to the podium to the street, and the finale is staged on real ground: Gwanghwamun Square, under the statue of King Sejong.

AI production

Script, creative direction, prompt architecture, image and video generation, edit and composited Korean subtitles.